DANC 420/A (Fall/Winter, 2023/2024): CHOREOGRAPHY II

DANC 201/A (Fall/Winter, 2023/2024): CREATIVE PROCESS I

DANC 401/A (Fall/Winter, 2023/2024): CREATIVE PROCESS III
DANC 301/A (Fall/Winter, 2023/2024): CREATIVE PROCESS II

DANC 211/A (Winter 2024): DANCE TRADITIONS

DANC 250/A (Winter 2024): ASPECTS OF PROD. FOR DANCE

DANC 398/C (Winter 2024): SPECIAL TOPICS IN DANCE

DANC 398/D (Winter 2024): SPECIAL TOPICS IN DANCE

DANC 398/E (Winter 2024): SPECIAL TOPICS IN DANCE

DANC 398/F (Winter 2024): SPECIAL TOPICS IN DANCE

The class focuses on exploring different layers of the body (bones, fluids, nervous system, fascias, skin., joints...) and articulate them independently or simultaneously to open senses, alleviate unnecessary tensions and find clarity, ease, freedom, expression in our dancing. We will source from somatic experiences, task based explorations, scores, anatomy and imagination to broaden choices in the present moment while maintaining a healthy body in dancing and training.

Release technique, Alexander technique, Aeküus, Fighting Monkey, classic contemporary dance and Kung Fu influence my personal approach to dance training. They will inform our practice in order to gain a deeper understanding of how we can best use the mechanics of the body, trigger the mind-body relationship to enrich our dancing with a variety of qualities, sensations and intentions.

Throughout this course we will constantly come back to the question of « What is technique »,
« What techniques do we need to use in order to support our artistic endeavours as contemporary dance artists ». These questions will support our practice of craftmanship and lead us to expand our range of possibilities as we prepare for daily creative processes as dancers and choreographers.

DANC 398/G (Winter 2024): SPECIAL TOPICS IN DANCE

DANC 398/GA (Summer 2024): SPECIAL TOPICS IN DANCE

This intensive summer course (15 days) is organized around the programming of the Festival

TransAmériques which takes place in Montreal from May 22–June 5, 2023. The course will expose students to national and international contemporary choreographic and theatrical creations and will provoke encounters between the students, the performing arts and its practitioners. The course seeks to provide students with an intimate experience of the festival and its programming. Engaging with theoretical and practical notions pertinent to contemporary creation including performativity, dramaturgy, decolonization, indigenous perspectives, market economy and participation students will explore various theatrical and choreographic perspectives that shed light on the concerns of contemporary creators and that will allow students to hone their visions as both makers and audience-members.

DANC 202/A (Fall 2024): ORIENTING THE CHOREOG SELF

DANC 350/A (Fall 2024): PRACT.ANATOMY MOVING BODY

An introduction to human anatomy in relation to movement and dance. The study of skeletal structure and the function of muscles and joints for proper alignment.

In "Practical Anatomy for the Moving Body," we will delve into the body’s interconnected systems and how they interact with gravity, time, flow, and space in the environment. The course takes a holistic approach to exploring various functional and somatic practices aimed at practical and conceptual learning about the body and its potential for movement. We will examine the body's biomechanical, fascial, nervous, and sensory-motor systems through personal observation and experience, drawing insights from diverse cultural, scientific, and movement-based disciplines. Course activities will include practical somatic exercises, experiential activities, dynamic lectures, readings, and group discussions to deliver course content.

DANC 398/D (Fall 2024): SPECIAL TOPICS IN DANCE

DANC 398/E (Fall 2024): SPECIAL TOPICS IN DANCE

This course explores improvisation as a critical practice of inclusion and resistance. Class elements are warm-up, theory (reading and discussion), practice, presentation (performance and discussion), a public performance and two assignments. We will build improvisation sets that encompass the aesthetics, values, and needs of those present while acknowledging those who are not present. We will explore several choreographic practices from the 1960s to today. Acknowledging the political environment in which practices have emerged, we will read and discuss texts that activate improvisation as a possible decolonial form. Open to music and theatre students, the course fosters interdisciplinary collaboration with input from both departments and guest teachers.

DANC 402/A (Fall 2024): POLITICS OF DANCE

DANC 420/A (Fall/Winter 2024-25): CHOREOGRAPHY II